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KaleidoscopeOrigin,Genres,Years active1966–1970(Reunions in 1976 and 1990)Labels,Past membersChester CrillSolomon FeldthouseJohn VidicanStuart BrotmanPaul LagosJeff KaplanRon JohnstonKaleidoscope (originally the Kaleidoscope) was an American and ethnic band who recorded 4 albums and several singles for between. The band membership included, who later released numerous solo albums and won additional renown as a multi-instrumentalist, and who later performed and recorded with a number of groups including the. Contents.History Formation The group was formed in 1966. The original members were:(born March 21, 1944, ) (born January 20, 1940, ) (born July 30, 1944, ) Chester Crill (a.k.a. Max Budda, Max Buda, Fenrus Epp, Templeton Parcely) (born ) John Vidican (born Los Angeles, California)Lindley was an experienced performer on a variety of stringed instruments, notably the, winning the several years in a row in the early 60s.
While studying at in, he formed his first group, the Mad Mountain Ramblers, who performed around the Los Angeles folk clubs. There, he met Darrow, who was a member of a rival group, the Re-Organized Dry City Players.Soon afterwards, around 1964, the pair formed a new group, the Dry City Scat Band, which also included fiddle player (later of ), but Darrow soon left to set up a new rock group, the Floggs. Lindley also began forming his own electric group. In the course of this he met Feldthouse, who had been raised in Turkey and, on returning to the US, had performed music and as an accompanist to groups. Lindley and Feldthouse then began performing as a duo, David and Solomon, when they met Chester Crill.
They invited him to join their band, and by the end of 1966 added Darrow and drummer John Vidican, so forming the Kaleidoscope. Recording and performance career The group was founded on democratic principles – there was no 'leader'. They soon began performing live in clubs, winning a recording contract with.
The first single, 'Please', was released in December 1966. It was produced by (later known as Frazier Mohawk), as was their first album, released in June 1967.
The album showcased the group’s musical diversity and studio experimentation. It included Feldthouse's 'Egyptian Gardens', Darrow’s 'Keep Your Mind Open', and versions of 's ' and ' 'Oh Death'. Crill, for reasons he never made clear (but ex-bandmates speculated had to do with concerns about overreactions from his 'straitlaced' parents), was credited as 'Fenrus Epp' on the first album and adopted various other pseudonyms on later recordings.Between them, the group played a huge collection of stringed instruments in such psychedelic songs as 'Egyptian Gardens' and 'Pulsating Dream.' They played fusions of music with rock in longer pieces such as 'Taxim,' which they performed at numerous venues including the Berkeley Folk Festival on July 4, 1967 and the and the Family Dog at The Avalon Ballroom (San Francisco) in 1968. Live, band numbers were sometimes interspersed by solo instrumental turns from Feldthouse or Lindley, and occasionally Feldthouse brought belly dancers or flamenco dancers on stage. The band performed many different styles, including, and also featured music by Calloway and in their repertoire.
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Kaleidoscope were one of the progenitors of. Cover of the Kaleidoscope's second album ',' with album art by Tad Hunter aka San Andreas Fault.The band's second album was released in early 1968, to generally good reviews but poor sales. The album was a mix of Middle-Eastern, country, folk and rock musical styles. The title track, inspired by a musical riff originally in his song, was recorded live in the studio, and featured a long psychedelic electric guitar solo by Lindley, which later caused 's to refer to the Kaleidoscope as his 'favourite band of all time.' In live performances of the tune, Lindley used a violin bow on his electric guitar, probably influencing Page to use the same effect later. Another live 'no overdubs' track on the album was 'Taxim,' with solos from Lindley on a 'harp guitar' and Felthouse, who played oud and saz on the lengthy cut.Liner notes to the much-later CD reissue claim the album's original title was 'Bacon From Mars,' but that the title was misprinted.
This is a complete myth, initiated by a joke printed in the magazine during their three-part feature on Kaleidoscope.Darrow left the group after recording the album and was replaced by bassist Stuart Brotman, previously a member of an early version of. However, Darrow returned briefly for studio work when the group backed first and on their 1967 single 'Nobody', and later on ' and 'Teachers' on. Vidican was also replaced by drummer Paul Lagos who had a jazz and R&B background, having played with, and.The band recorded their third album, in 1968. It featured 'Seven-Ate Sweet', a long progressive instrumental piece in 7/8 time signature which they had been playing live since the early days of the group. The album reached No. 139 on Billboard in 1969, the only Kaleidoscope album to chart.
Around this time they also did soundtrack work on educational and other films, and also made an appearance at the.Kaleidoscope’s fourth and final album from their Epic Records era, featured more electric guitar work than the earlier albums, and more country influence. There were further personnel changes, adding singer-guitarist Jeff Kaplan, and bassist Ron Johnston who replaced Brotman during the making of the album. Feldthouse also left the group.At the end of 1969, Kaleidoscope contributed two new songs ('Brother Mary' and 'Mickey's Tune') to 's, and supported on their American farewell tour.
The band split up soon afterwards.Later careers After the end of Kaleidoscope, Lindley became a highly respected session and live musician with, and others, before forming his own band, El Rayo-X, in the early 1980s. Feldthouse performed at Renaissance Pleasure Faires, and with various flamenco and Middle Eastern groups. Darrow joined the after Kaleidoscope and later formed the Corvettes with before becoming a leading session musician and solo performer. Crill became an writer for a time, co-writing the Mickey Rat series, and also produced the first by 's group, Armstrong's Pasadenans.
Brotman became involved with the LA folk dance scene and has done considerable work as a movie extra. In the 1980s he became active in the Klezmer Revival, playing bass and tsimbl for Brave Old World and most recently is a member of the San Francisco-based trio, Veretski Pass whose most recent CD, 'Klezmer Shul,' was released in 2011. He is also a regular instructor at KlezKamp, KlezCanada, and other ethnic music gatherings. Paul Lagos died on October 19, 2009. Kaleidoscope reunions In 1976, ex-members Brotman, Crill, Darrow, Feldthouse and Lagos reconvened for the reunion album, When Scopes Collide, which was released on ’s Pacific Arts label.
Lindley also contributed, but distanced himself from the project by appearing as “De Paris Letante.”Fourteen years later, Crill and Darrow organized a second reunion session, this time for Gifthorse Records. Greetings from Kartoonistan (We Ain’t Dead Yet) again brought together the same lineup, with Brotman contributing the instrumental, Klezmer Suite. (Though invited, Lindley declined to participate.)Trivia. Solomon Feldthouse is the father of film. Chris Darrow plays on the album.
According to frontman, that band's recording of 'O Death' on their album was intended as a tribute to Kaleidoscope.Discography Studio albums:. (1967). (1968).
(1969). (1970).
Kathleen Turner
When Scopes Collide (1976). Greetings from Kartoonistan. (We Ain't Dead Yet) (1991)Compilation albums:.
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Bacon from Mars (1983) (compilation). Rampe, Rampe (1983) (compilation). Egyptian Candy (A Collection) (1990) (compilation). Beacon from Mars & Other Psychedelic Side Trips (2004) (compilation). Pulsating Dreams (2004) (compilation of the four Epic albums and other recordings of that period)References. Retrieved 13 August 2019. ^.
Retrieved 13 August 2019. Archived from on July 15, 2011. Retrieved July 4, 2010. Retrieved 13 August 2019. Biasotti, David (2010).
In Pulsating Dreams: The Epic Recordings CD booklet. London: Floating World Records. Retrieved 13 August 2019. Retrieved 25 August 2013. (19 May 1988). Retrieved 8 November 2018.External links. at.
discography at.