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SWINGIN' UTTERS is a punk rock band that formed in the late 1980s. Having begun in Santa Cruz, California, the band moved to SanFrancisco where they are now based.

They have been signed to label 'Fat Wreck Chords' since 1996. As well as being classed as a 'punk revival' band (reminiscent of UK 70s bands such as The Clash, Stiff Little Fingers, The Damned or Newtown Neurotics), SWINGIN' UTTERS have increasingly shown themselves to be influenced by Irish folk, particularly The Pogues. 'The Utters' paid homage to their influences with two stellar covers of Cock Sparrer’s on the Blackout compilation Punk Rock Jukebox. In 2003 the group split up until 2010, when they decided to return and to record three albums. The band is still active and making a tour during 2015.(.Password: destileriasonora ). Five Lessons Learned, the Swingin' Utters' second album for Fat Wreck Chords, builds on the breakthrough of their first, A Juvenile Product of the Working Class. They don't depart from their hard-hitting retro-punk formula at all - there's nothing here that couldn't have been recorded in 1977 or 1980 - but their sense of humor is sharpening, as are their hooks.

There are a couple of weak cuts, but they speed by so fast you won't even notice them, and that makes this the group's best record to date. This album's title track was used on the video game Tony Hawk's Pro Skater 2, perhaps making it the band's most widely heard song.

'I Need Feedback', however, was the only single released from this album. Also, the song 'This Bastard's Life' is featured in music video game Rock Band 3. The Track 'Tell Me Lies' was also featured in a VHS BMX Video called 'Dig' Featuring Tim 'Fuzzy' Hall and TJ Lavin. The track is played during a Backyard Dirt Session. Five Lessons Learned is mainly an album of short, fast songs in the 'punk revival' style - 'I Need Feedback' borrows a riff from The Damned's 'Neat Neat Neat' - but there is also a ska-esque song ('Unpopular Again'), and an Irish folk-style song ('Fruitless Fortunes'), hinting at the band's future direction, and that of the side-project, the Filthy Thievin' Bastards. The outer and inner cover art is by photographer Steve Zeigler and features black-and-white shots involving guns, crime and murder scenes (in one picture, the date '2-14-47' is etched in chalk). The presence of the head of the Fat Wreck Chords label, NOFX's Fat Mike, is felt in that he co-produces and plays bass guitar on 'Unpopular Again'.

Another of the many guest musicians is Chris Shiflett, later of Foo Fighters (.Password: destileriasonora ).

Question: So what happened with the Earache contributions to the compilation that was meant to have been a companion cd to the Swedish Death metal book? The author said in terrorizer that there were problems with earache letting them use tracks from at the gates, entombed and carnage. From:Answer: We were never asked for At The Gates actually. Question: Since you've graciously answered a couple of my other questions, I figured I'd try one more that's been nagging at me for more many years.

Scorn released their first three full lengths and they all have Mosh catalog numbers and Earache labels, but after Evanescence the next three full lengths say Scorn Recordings marketed by Earache and have a Scorn catalog number. After Gyral then, my copies of White Irises Blind and Deliverance have Mosh catalog numbers.

What's the story behind that? Question: Do you think the problem with shortie was that not just that earache was trying to get into a scene that you werent used to and didnt really understand ( screamo), but also shortie were distintivly second rate when compared to the big boys of the genre Glassjaw Thursday, Funeral for a Friend etc?

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Not saying this as a shot at Earache im just wondering if you wanted to enter a newish genre for the label surely it would have been better to do it with a better band? From:Answer: Well in hindsight you are exactly right,its true the band failed to catch on so it must be deemed a failure.I agree that death metal and grind are the styles Earache is steeped in mostly, with 2 decades experience in the trenches promoting that stuff.A screamo band like might be outside our comfort zone, but we are quite open-minded and adaptable, so enjoyed working with them a lot.I dont think that was the reason for lack of success- I just think sometimes you just need the right breaks to go your way. Question: I am writing about the forthcoming re-issue of Cathedral's debut album.It's weird to see a re-issue missing the intro title; I guess it's there in audio but it's a little cheap to let it out, accidently or not. Was it a mistake on the layout?What about making the DVD available for free for those of us having both the album and following EP? I would like to watch this documentary 'legally' but I find it useless to buy the album again.

I guess it will find its way on various bit tirrent sites for this very reason so considering making it freely available online (youtube) would make things better for everyone, I guess.I am glad to see the album available again for a new generation of fans who might have missed it first; it's a doom classic! Question: In relation the rejecting art question you forgot to mention!T.O.O.H! But my real question is where do you stand on this topic, why so hard on such a innovative band?? And why was there a need to delete all traces of them off the website?? From:Answer: We didnt reject their cover art- we rejected everything about them, we wanted to distance ourselves from the band, the album, the label and A&R guy they came from, because it was bad for business.We don't promote bands on the site who are'nt on Earache dude, thats common sense surely? Question: I remember reading in a terroizer interview that dig once said that unlike century media and a couple of other labels earache avoided becoming a supermarket label. What would you class as a supermarket label?

And also do you honesly think that earache has avoided that classification being as a label you have signed a broad section of bands to cater to different metal fans tastes? Question: Have you ever told a band that they cant use their requested artwork for whatever reason? From:Answer: We're not in the habit of rejecting artwork, but many newbie bands on this label need help and guidance in the art department. Question: Hello Earache, why don't you answer my question, I sent my question in 4 times to your page, but can not see an answer yet.will you reply? From: bob.stewartweb@gmail.comAnswer: I try to answer most reader questions on here, especially if they seem interesting to me, and hopefully also to the readers of this blog.Obviously stuff about how the Earache label operates is easiest for me to write about, as thats what I do for a living, and I wanted the blog to give readers a glimpse of what goes on behind the scenes at a real, live, working metal label in the music biz.Stuff I won't answer on here:1) Will You listen to/sign my band?This must be half of the questions I get- this is not a A&R blog so stop asking please! Question: What actually happened with earache's relationship with the dillinger escape plan? Im wondering as it seems a little short term, surely you would have tried to keep hold of the band longer?

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Especially with whats happening with them now. I mean how many other obscurish experimental metal bands appear on conan o brian's show? Question: What on earth made you sign Addiction Crew? I remember they were featured on a Metal Hammer DVD with that video 'What About', and it still boggles my mind why you signed them.I'm not a fan of the band, but even if I did like them, I'd still find it odd that you signed them.

You had absolutely no record of signing bands of this style (Am I right in saying that Addiction Crew are the only nu-metal band Earache have ever signed, bar maybe Adema?), the band weren't even anything out of the ordinary or groundbreaking for nu-metal and they were signed back in 2002, when nu-metal was about as in vogue as a Chinese RnB duo.Also, they sounded worlds apart from every other band Earache have ever signed. I actually believe to this day that if you were to release a compilation of the greatest Bosnian motown groups around today, it would have more in common with the likes of Terrorizer and Bolt Thrower than Addiction Crew.Also, how did you go about handling the band? Did you ever put them on tour with other Earache bands such as Akercocke or Deicide, or did they support any big bands more suited to their style?

And what are they doing now? Are they still contracted to Earache, or have they split up? SURELY, in the face of all these nu-metal reunions that's happening this year, we should expect a triumphant return from Addiction Crew!Please don't take this as a slight on Earache, it's running or even Addiction Crew, I just can't get my head around what it is that made you think: 'An Italian rap-metal band with male/female duet vocals? YES, this is our new Morbid Angel.' Question: Hey Dig, simples question: which gigs do you go out to see nowadays? I know you watch your own earache bands, but what are 5 or 6 bands that will make you leave home and watch a gig?

I would say probably old bands like Discharge and Celtic Frost with their recent reunions got your attention?Would you see something like the Stupids and Extreme Noise Terror nowadays?In my experience, the older you get, the lazier you are to go to a gig! From:Answer: You score a bullseye with Discharge and Celtic Frost- yup, I was there for those bands' last Nottingham gigs. Question: Do you think that Send More Paramedics could have been as big as the new wave of thrash bands coming through now if they had started a few years later? I'm guessing you were fans of them as you put them on your Thrashing like a maniac comp, and they were at least as good as any of the newer thrash bands you care to mention. From: redear16@hotmail.comAnswer: I know what you mean, Send More Paramedics were at least 2 years ahead of everyone else, singing about Zombies,and playing punky HC-influenced 'thrash'.The band were so far ahead of the curve, that by January 2008 when we released our Thrashing Like A Maniac comp, which showcased most of the new school thrash bands, had actually split up for good, and diappeared from the scene. Question: Do you think as a band janus stark were always going to fail?

Simply because of the involvement in the prodigy of gizz, also from what ive read in interviews with both parties the wildhearts were trying to recruit him at that point as well, so was it outside factors that effectivly killed the band? Question: It says on Wikipedia that Earache sold the rights to Morbid Angel Blessed Are The Sick Master Tapes on ebay.Don't you now think this is a little bit foolish?From: mikeholloway435@hotmail.comAnswer: Earache was launching its ebay store and we wanted to create some excitement on the interweb about it.

Question: you said on a previous blog you see a d beat revival being a big thing what bands do you see doing it? Personally i see tradgedy, drop dead and disfear leading the charge with the newer bands following. I dont know what your opinion on this is From:Answer: This is a subject dear to me - back in the day I was at many early gigs including at Derby Ajanta club, where the Decontrol single cover picture was photographed, I'm on that cover in the crowd gawping up at Cal the singer.Discharge were beyond awesome in the early days, their importance to the punk and metal scene cannot be overstated.Many bands can lay claim to being influential but Discharge were truly monumental, they changed the DNA of the entire punk and metal movements. Question: What's the story on Resistant Culture (Los Angeles). Why are they so mysterious in the metal/grindcore scene? Native American vocalist, female guitarist, former member of Napalm Death, current member of Terrorizer???

Why are they considered a 'well kept secret'??? From: benaxiom@yahoo.comAnswer: This is my first time checking out actually, and it seems a pretty cool crusty-punk band. The only mystery is why d'ya pretend you're not actually in the group dude? Anyways, It was a shock to see Jesse Pintado (RIP) in your video, now I understand why you mentioned the Napalm Death and Terrorizer connection.It must have been one of the last video recordings of Jesse before his untimely and tragic death.Rest in Peace, bro.Back to the band-I think I know why you are off the radar of most metal/grind kids- your message may be very strong and heartfelt but your riffs don't seem 'metallised' enough or the vocal delivery vicious enough, maybe? The native North American chanting has more passion in it then the entire rest of the vocals which seem deadpan in comparison.Wheres the anger gone? I know The LA grind sound which Nausea/ Terrorizer popularised back in the day was deliberately mid-paced to accentuate the power, but even when you go 'fast' your sound fairly pedestrian -polite, even- when compared to say for instance, who are my fave crust-punk d-beat band currently.I was impressed by your website which for a crusty band is incredibly slick, its design and usefulness is one of the best i've ever seen, I take it someone works in web-design for a living?

And the flash game is pretty radical, its actually mindblowing and if some well-known major league metal band had released such a game it would be heralded as a major breathrough.So massive props to you for that. Question: how did the carcass remix of bjork's track isobele come about? It seems a bit strange that it exists. From:Answer: is absolutely brilliant.She's a bona-fide worldwide star specialising in quirky Pop, and you know what, she genuinely loves Death Metal- in her artful way I guess she considers it highly avant garde, outsider music, which it pretty much is.Her path has crossed with Earache many times over the years, dating back to the 80's when her first band The Sugarcubes- an Icelandic alternative/post-punk band coming from the anarcho-punk scene- had a surprise UK hit on the fledgling label. Founded by Derek Birkett, the former bassist in UK anarcho-punk stalwarts Flux Of Pink Indians, the tiny OLI label worked out of the Portobello Road premises of record pressing plant Mayking Records.

Every early Earache vinyl release was manufactured at that plant- thats why Mayking is etched into the vinyl- so I found myself visiting the plant on a weekly basis, its where his wife worked actually, but Derek himself took me under his wing, as Earache exploded in late 80's he became a sort of ad hoc advisor/mentor for Earache's business dealings, because he had the experience and knowledge of running a successful UK Indie label. Question: Why do you think that now extreme metal bands can get away with more profanity than they could back in the day?

The most famous cases in Britain are obviously the earache office raid over the john zorn incident and also the police arrest of ollie jones of desecration for their first record due to obsenity because their album featured lyrics about a pedophilic serial killer, other than the oceano incident its been relitivy quiet and do you think there is a way of a band overstepping the mark in regard to gore nowadays? Question: Ive always wondered this being as earache put out the originals.

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What did you think of the carcass clone bands that have popped up over the years? And have you ever wanted to sign any of them? There were bands like general surgery who were friends with the band from their inception due to tape trading who seemed to work their music as a possible friendly rivalry and now theres obviously the bay area bands like impaled who mix the carcass sound with slightly more humour based lyrics. The end of the line is obviously The County Medical Examiners due to their actual day jobs and from what ive read the singer/guitar player would not be doing his day job if it wasnt for carcass as he was one of those people as mentioned in the 1992 interview on the necro dvd who took a certain root of education because of carcass! Question: Do you think there is a possibility in a few years time some of thease new wave of thrash bands could enter the alt rock arena like the original thrash bands did?

Admitidly metallica did it out of boredom and through rediscovering a love of sabbath( according to a kirk interview). I know it seems a bit premature to ask but i mean look at cave in then went from a slayer/death influenced sound to a radiohead meets foo fighters sound in the space of just a few years. From:Answer: It's possible I suppose that this new crop will emulate their Big Four heroes and go more progressive and less thrash 2 or 3 albums down the line, but from where I'm standing, many of them definately appear to be thrashers for life. I don't have a question for you, but something to share with the readers of the Ask Earache blog, which I find to be very interesting.

I'm a huge fan of Blessed Are the Sick, and on a recent European trip with my girlfriend, we had a fun opportunity. After some plans fell through in France, we decided to visit Brussels for the day, and being the bizarro metal fan that I am, something clicked in my brain and I did a little Internet research into something that I'd looked up years before.

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My lady isn't into metal, really, but supported my fandom by taking the picture I've attached, which is from the Brussels Fine Arts Museum.Brought my copy of the LP all the way from Chicago just to make it full-circle. Enjoy!DaveAnswer: Thanks Dave, this blew our minds in the office as we've never seen the original painting by It's way larger than we imagined. I think we received the art on transparency or suchlike from the museum at the time we made the album, so had no idea of the huge scale of the art.This is a great pic,I'm happy to share it with the blog readers, cheers for sending dude!This got me thinking along similar lines, if anyone knows where HR Giger's Life Support sculpture is located, I would'nt mind seeing the original of that too, the sculpture was used for Carcass' Heartwork opus. Click pic to enlarge. Question: I couldn't help noticing that the new Insect Warfare disc has the catalogue number of MOSH068.and there's a blank space for that number in your catalogue.so what's the deal.? Why such an 'old' catalogue number.? And, is there any intention to release another collectors/limited package in the near future (such as the 400th release).?

I was wondering if there might be scope for another 'Rareache'-style item. From:Answer: Well spotted my eagle-eyed friend!

We wondered if anyone would notice that this new release on Earache has a Mosh 68 Catalog number.The Mosh numbers have been allocated in sequence to each release on the label for the last 20 years,I personally know there's a lot of crazy fans who do collect the complete set of albums on Earache, so now and again we like to tweak things to make the collectors work harder, keep em on their toes. Earache is currently up to Mosh 380-something, yet Insect Warfare cites Mosh 68 on the sleeve, as you point out, which if you follow the label closely means it 'should' have been released in 1991 or so, not 2009.Its always bugged me that the original Mosh 68 cat number remained unreleased, and our prime early catalog always had a big missing Mosh number in it.Back in the day, avid collectors used to speculate on what it might be,even.

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In 1991 or so Mosh 68 was due to be the SORE THROAT debut album 'Unhindered By Talent' reissue- original label Meantime Records had gone bust and sold me all their tapes - but the record was shelved by me, because Sore Throat at the time specialised in being prime dickheads, Rich Walker still is one, in fact. They spent all their time and energies putting the boot into this label, and Napalm Death especially, dedicating entire albums to the cause like 'Never Mind The Napalm'.What started as in-joke banter from some fellow HC scenesters, soon turned a lot darker, as they became more motivated by pure jealousy at other's success. Question: after submitting many many demo's, im just wondering 'are they actually listening to them?' PLEASE GIVE US SOME FEED BACK.thanks. From: bennybunter@hotmail.co.ukAnswer: Alright dude calm down.we get a zillion bands contacting us all the time to check them out- and we certainly checked out.You submitted your details in the correct way - using our form on the contacts page of earache.com and sure enough your myspace page ended up in my inbox to look at, so you already did better than most bands- YOU ACTUALLY read the instructions!